Born in Manchester, United Kingdom, in 1978
Lives and works in Vancouver, Canada
Creating sculptures out of multilayered panes of etched, drawn upon, and spray painted transparent sheets, Spriggs’ practice exists between flatness and fullness. With this technique, the artist looks to the evolution of vision: probing into both how we see and how we are seen and surveilled. The artist underscores constantly evolving symbols of light through different historical and cultural significations. Spriggs has been the focus of international solo and group exhibitions.